architectural storytelling : #architalks

3rd in a series of posts by architects about….something totally random and not necessarily related to the practice or profession of architecture.

But this time we’re talking about architectural storytelling. Architects, by definition, are great storytellers. We are groomed into this art from our very first studio critique where are are made to tell a very convenient fiction about our design and how wonderful it is (it’s not) and how it’s never been done or thought of before (of course it has) and how our designs will change the world (let’s just say boots are typically required in your average architecture studio). Today’s story will hopefully be more entertaining and at least a little enriching, offering a small glimpse into the mind of one architect and one day in a city not so far away.

It’s cold. The heat in my townhouse never quite reaches the top floor. Just like the cool air in summer, come to think of it. They tell you in school that hot air rises. “Evidently it doesn’t rise fast enough to stay warm”, I think to myself as I’m huddled under a blanket dreading my exodus from the very small cocoon of warmth I’ve managed to build up as I slept. I look out the window and see the fresh snow on the trees. I resign myself to the pain I’m about to experience, and with clenched teeth, I throw off the covers and head for the shower and hopefully a few drops of hot water that might have been left by my housemates.

Showered, shaved, dressed and ready for the day. It’s Saturday – my favorite day of the week. I deliberately don’t make plans so that I can have the day to myself. No friends, no phone calls, no emails. It’s my day. I head down the stairs, grab my coat, hat and gloves, strap on my shoes and head out into the cold February D.C. morning. I’m headed for the Vienna Metro on the Orange line, which is in Northern Virginia, but it might as well be a D.C. suburb. My townhouse is on the edge of a neighborhood with a paved walking track that leads straight to the metro station. It didn’t take me long to discover this when I moved here and by now it’s a familiar path that I barely need to think about.

I reach the metro station, slip my card into the slot and head down the escalator to the platform. I hear the train heading in already. This is the last stop on the line so I don’t have to wonder if it’s my train or not. And as I step through the doors I look around and marvel at all those headed into work on a Saturday in their suit and tie. Me? Nope. Jeans, a sweater, a jacket, a scarf, long socks, warm shoes and gloves. Hey, I said it was cold, right? The train doors close and off we go.

I change trains only once to get where I’m going – from the Orange line to the Red. Finally I come out from underground and into the bright morning sunshine. It’s almost blinding at first from the relative din of the subterranean metro station, but my eyes quickly adjust to my surroundings just outside the Dupont Station. The familiar buildings, not-so familiar people and the streets. I love these streets. This is my Saturday morning ritual. I head out to Dupont Circle and this little book shop and cafe that has some of the most obscure architecture books I’ve never heard of. I find a copy of “how architecture got it’s hump” by Roger Connah, “the look of architecture” by Witold Rybczynski and “invisible cities” by Italo Calvino – three of my favorite books on architecture. I spend some time looking through the now familiar stacks of architecture books. There are books on history, design, theory, a few collections of works by famous starchitects that I don’t care about and countless others that I won’t have time to read, but by now it’s lunch time and I’m hungry.

My next stop is a little sandwich shop a few doors down from the book shop. I’ve never bothered to learn the name. It’s one of those trendy places that pops up with a clean modern and flashy design, a few barely legal hotties behind the counter ready to take your order. I get my sandwich and my water and I find a place at the bar top to enjoy one of my new books. It’s also entertaining to people-watch in places like this. There’s a steady stream of customers in and out. Some stay for a bit at the small round tables-for-two, others just grab their grub and go. In DC you’ll more often than not hear conversations in every language but English. It’s almost like being in a foreign country…or an airport…whatever.

I’ve finished my lunch, stashed my books under my arm and now it’s time to head out and explore. I almost never go the same way twice, but I always end up in the Adams Morgan and Shaw areas of town. The small shops that occupy old shotgun town homes have the most amazing things in them. Vintage housewares, records, jewelry, cowboy boots, fuzzy handcuffs…all sorts of things from eras long past popular fashion. After a couple of hours of aimlessly wandering the streets of DC I make my way back to the Dupont Metro. I don’t actually need to walk all the way back to this spot. There are plenty of other stations I could use, but the area between Shaw, Adams Morgan and Dupont has some amazing architecture. Italianate and Federal and Queen Anne and Victorian and French, Gothic and Greek Revival – the ornamentation, the stonework and the masonry are just amazing. It’s even better in the Spring when all the trees are full and in bloom. But that’s a different day and a different story.

Where are all the Architects?

How NOT to draft a detail. No line weights, notes a mess and no hatching.

There are architects and then there are Architects. If you don’t know the difference than you are in the former category. I aspire to be included among the latter category. And I will tell you why.

For the last 5+ months I have been working for a large corporate firm in the downtown area. It’s an old firm, the second oldest in the state at nearly 100 years since the doors opened. One would think a firm with that level of prestige and a resume that includes some of the most significant buildings in the city would not only be on the forefront of technology but would also have standards in place for the production of quality, well coordinated and beautiful architectural drawings.

At least that is what I had hoped when I came here several months ago. It didn’t take long to realize that not only were there no standards in place but the production staff and the project architects seldom inhabit the same air space. Hence very little oversight and even less coordination. Add to that “mentorship” seems to be a dirty word, so the staff ends up doing “whatever Revit’s default” happens to be.

To say it’s frustrating is an understatement. Soul crushing is a more apt descriptor. I’m not a senior architect. Barely into my mid 30s, but I’ve worked for a number of “seasoned” Architects that taught me the value of my architectural documents as not just a tool for construction but also as a marketing tool and even as a piece of art unto itself. Drawings MATTER. The information matters; what it looks like matters; and how it is organized matters.

If you think it doesn’t, you’re an architect.

If you take great pride in your work and the finished product that is sent out of your office then you’re an Architect.

Where have all the Architects gone?

A well detailed wall section – line weights, well-spaced notes and clear hatching.

the only guarantee in life

You’re all thinking “death and taxes” right now, aren’t you? Not this time. The one true guarantee in life is change. Someone really smart said that once. I have no idea who.

Everything in life changes and it changes by the year, the month, the week, the day, the hour and especially minute by minute. We are no more immune to change around here as we are to death and taxes. I know what you’re asking. What does this have to do with the price of tea in China? Absolutely nothing. But it does have a lot to do with this blog and some big changes coming in the next couple of weeks.

r | one studio architecture WILL BE NO MORE.

Yep. You read that correctly. This blog has been such a wonderful outlet for me to share my opinions, experiences, frustrations, challenges and triumphs as I have moved through my career as an architect. But times they are a changing, baby. And I’m so excited about the changes that are coming.

In the next few weeks I will be launching a new website and blog. I will also be launching a new company name, a new logo and a new direction for our practice. It hasn’t been easy. r | one studio started as a side project, just a “name” to give some legitimacy to the design work that I was doing prior to achieving my license. It grew quickly into an identity for me and a dream for the future – the idea being that eventually the “one” would turn into a “two” and perhaps a “three” as I continued to grow my practice and build relationships with other architects and designers with the same passion for design and construction as me. But now that I am licensed and have taken more serious and intentional steps towards setting sail on the good ship “Entreprenuer”, I realized that I needed to put more thought into the image, identity and even attitude of our practice. Do we want to be safe and comfortable with a nice corporate type name and identity or do we want to do things differently, go against the grain, buck the system and challenge the status quo? I think you all know the answer. “Yeah baby! Let’s buck this bronco!”

This is how ROGUE architecture was born – a new identity and a new attitude for the practice of architecture in the 21st Century. For years now I’ve talked about collaboration with other architects and having a mobile practice. These aren’t just buzz words. These ideas are at the core of our practice. ROGUE architecture is a firm that will do things differently, to challenge how we’ve always practiced as architects and to seek out clients who have been led to believe they don’t need an architect. Making life better, one building at a time, is what we will do at ROGUE architecture.

Stay tuned for more.

I’m so EXCITED!! #AchiTalks

I love movies. And I have kids. So most of the movies I watch are cartoons, which also means most of my movie references will come from cartoon movies. It’s a blessed curse, what can I say. This particular movie clip came to mind when I was presented with this edition of ArchiTalks because it deals with language and the art of communication. Plus, the dirty little guy is named Mole and he’s just a really friggin funny character.

Language, or more specifically communication, is something that for some very strange reason I am very good at. Since I gave my very first presentation in college until now I have always been complimented on my skills in presentations, interviews and even casual conversations with strangers on the sidewalk. I just love talking to people and finding out more about them. It hasn’t always been this way. As a matter of fact I was so shy and socially awkward as a child that they thought I was “slow” and wanted to hold me back a grade until I “caught up to the other kids”. My mother wasn’t having any of that, but as I got older I did have to work very hard to bring myself out of my shell and develop the skills that many seem to think comes naturally to me. The truth is anything but. My mother-in-law even recently said “I’m just amazed at how you’re able to so easily connect with people so quickly and after just meeting them.”

And I think the reason that I am now so good at public speaking and so easy with other people, even complete strangers, is because I’m so excited about it! I genuinely LOVE that part of my job. I love talking to contractors, engineers, clients, superintendents, product reps, code officials (no, really…), and that guy that drives the forklift that you know is probably not smoking a cigarette. It’s just so awesome!

So, what excites you about architecture? Here are some of my friends and their ideas on the subject.

Mark LePage – Entre Architect – Episode 42

Oscia Wilson – Boiled Architecture – They’re Fighting It Out

Lee Calisti – think:architect – this is exciting: start to finish

Jeff Echols – Architect of the Internet – The 5 REs to Change the Future of Architecture

Marica McKeel – From Dreams to Reality – This is Exciting

manic monday – patience and grace

shamaninthecity.com.au

It’s been a while since I’ve done a manic monday post. Today was especially frustrating, maddening, annoying, many other “ing”s and just plain MANIC. So I thought it was fitting to sit down and quickly write about my experiences today and how they might apply to the daily practice of architecture.

Today’s theme is patience.

If you know me, you know this has not always been a strength of mine. Quite the opposite in point of fact. I will say that it takes a bit to get me going. I’m generally a pretty chill guy and most things I can just let roll of my shoulder and I keep moving forward. But, on rare occasions I find myself getting incredibly intolerant and impatient with certain things about people. Mostly this boils down to a complete lack of patience for ignorance and no sense of responsibility. Today was “one of those days” where I seemed to be surrounded by one excuse after another, one delay after another and one pointless meeting after another. In short I got nothing done, but I looked really busy. And that makes me lose my patience quickly.

Now, the business of architecture is most often described as the management of people and their expectations of a project. This includes clients, consultants, colleagues and that guy that keeps forgetting to give you a pickle with your damn lunch order!….And managing those people requires both patience and grace. There are times however when both are in short supply and you simply run out to the end of your rope and want to strangle something or someone. What do you do then?

This was the situation I found myself in today. What did I do? Honestly, nothing. That may sound strange, especially coming from me, but sometimes nothing is the best thing you can do because the alternative will likely involve some explaining to the authorities….I mean…uh. Nevermind. What was I saying?

Oh yeah. Patience and grace. You can not truly manage people unless you can manage yourself and your reactions to other people and the situations you find yourself in. If you find that you have run to the end of your rope and you know you’re about to do something stupid the very best thing you can do is nothing. Because doing nothing gives you time to properly assess your own feelings in the situation and decide what the best reaction is to the situation or towards the person across the table. If you can manage that one moment you can find your way to manage the people and the situation properly and move forward.

Sometimes doing nothing is the best way to win over on a challenging and frustrating day. Sometimes that little bit of patience and grace, even if only for yourself, will mean the difference between success and failure. So, next time you find yourself in “one of those days”, just take a breath and remember that you can only truly manage yourself. Do that and you win.

ten plus one is better than eleven plus none – #ArchiTalks

I’m adding to a discussion that is bouncing around the internet today, Architects answering 11 questions about their practice. Seeing as I technically have two full time “jobs” as an architect (I work for a big corporate firm as well as my own meager but awesome-tastic firm) I will answer these questions only once as they relate to my own firm. Because this is after all MY blog, and I can do that sort of thing. O_O

What kind of projects were you doing when you first started as an architect?

Early in my career I worked for the oldest surviving firm in Jacksonville, Florida. The work was primarily large commercial and institutional projects – mega churches, schools, universities, office buildings, etc. As I moved to a few other firms, getting smaller and smaller along the way, the work didn’t necessarily change, just the scale. I was still working on commercial and institutional work and frankly I hated it. I took on side projects very early in my career, designing residential additions for almost no fee just to be creative and work with the actual end users of a project. Fast forward to now and I am happy to stick to single family residential work and light commercial office and retail spaces as long as I can work with the actual end user and not a landlord or corporate board of directors.

How many projects can you expect to be working on at once?

This is a tough question to answer. I guess the blanket statement would be “as much as I can handle”. And, given my past track record is a lot. As a sole practitioner things get pretty busy around the 4-5 project mark for a given month. I like to have at least that many projects in various stages of development at any given time. More than that and I start to get a little stressed, but it’s a good stress. Any more than 7 would be too much work to cover the load by myself. Refer to next question.

How often did/do you work in a team?

I am structuring my firm so that I will hopefully always be working in a team. I am just one architect and my skills, though varied, are limited and the success of any project requires input from various sources. The goal is to have a network of other architects, locally and across the US, that I can pull from not just for inspiration and fellowship, but also to share work loads and project responsibilities to make us all more profitable.

How important is an innovative mind to the company?

Innovation is essential. Having the right tools and seeking out new tools to make you more agile and more efficient in what you do is essential no matter what type of business you run. But the caveat there is that a tool is only as good as the person using it. You have to have the right frame of mind in order to keep up with the curve, much less stay ahead of it.

What key things do you look for in potential new hires?

I don’t plan on outright hiring anyone, rather I look for other architects to partner with. Those architects that I’m interested in working with have to share my passion and sometimes outright obsession with architecture. I am not a 9-5 architect. Just ask my wife. I also look for architects who are as concerned with good design as they are about good drawings. A well designed building has to be represented by well designed drawings and details. Being relatively young in the profession I am a bit old school in that I came from a hand drafting background and I want my drawings to reflect that level of craft. I look for others who share that as well.

How important is diversity to your company?

I’m often a little apprehensive of this question because it’s never been an issue for me. Diversity in gender, ethnicity, religion and social views has always been a default for me. Like I said in response to the last question, I’m looking for architects with the same passion as me. I don’t care what your gender or skin color is, where you came from or what your religion is. Is it important? Of course. Do I seek out “diversity”? No. It just happens.

How big of a role does HR play in your company?

If we’re talking about Human Resources as a corporate structure, than it doesn’t apply at all. If we’re talking about Human Resources as in other humans that I find resourceful, then it’s extremely important. And this goes back to diversity – surrounding yourself and making alliances with other architects and designers that share your passion but in different ways.

Would you say Architecture is a field for everyone?

Seriously? This is a question? We all know that architecture is not for everyone. Just like mechanic, dentist, doctor, brick layer, foreman, CEO and President are not for everyone. Certain people have certain talents that drive them to certain paths in life. Architecture is no different. We are a rare bird.

What is the best asset in your company?

My family. My wife and my children drive me to be better each day. And my clients. Without them I would not have a company.

Describe your best employee in one word?

Conundrum. That’s actually how I was described by my classmates in college. I think it still applies today. I’m not easily defined and I try not to define myself.

What style architecture do you love most?

This is such an awesome question. And it’s one I’ve talked about with other architects from time to time. There are so many firms out there that have a “style”. So much so that you can drive around town and pick out buildings that were done by different firms without ever having seen them before. I am not that kind of architect. If you look at the work I have designed it runs the gambit from traditional to contemporary to modern and a lot more in between. At the end of the day the buildings I design are not mine. The belong to my client. So whatever style my client desires, it’s my job to provide that design.

I hope you enjoyed this little trip down the rabbit hole that is my new practice. Check out the architects below. They are even more awesome-er than I am (hard to believe I know).

Lee Calisti – Think Architect (twitter @leecalisti)
“architecture :: eleven questions is less than twenty” 

Bob Borson – Life of an Architect (twitter @bobborson)
“Being an Architect”

 Marica McKeel – Studio MM (twitter @ArchitectMM)
“Q+A with a Small Firm Architect”

 Enoch Sears – Business of Architecture (twitter @enochsears)
“Life As An Architect”

 Jes Stafford  – Modus Operandi Design (twitter @modarchitect)
“Ask the Architect“

 Mark R. LePage – Entrepreneur Architect (twitter @EntreArchitect)
“11 Big Questions” EntreArchitect.com/Episode37

 Jeff Echols – Architect of the Internet (twitter @Jeff_Echols)
“11 Frequently Asked Questions About Being An Architect”

 Nicholas Renard – Cote Renard Architecture (Twitter @coterenard)
“Answers from this Architect”

 Evan Troxel – The Archispeak Podcast (twitter @etroxel)
“Eleven Questions About a Career in Architecture“

Andrew Hawkins, AIA –  (twitter @HawkinsArch)
“Being an Architect: Questions Answered”

Architect practice and community

As I continue on my journey to build a practice and move out on my own I have been looking around and thinking about what I want the future of my practice to look like. Do I want a big office with lots of interns and architects working under me or do I want a small modest office with one or two trusted partners working with me to produce quality work? Or even still does my practice more reflect a partnership with other architects that I can collaborate with on multiple project types that may or may not be in my wheelhouse but that I can lend and draw support from? In short is a big office better or worse than a community of professionals working together for the greater good of the community and city at large?

For ten years I have worked under some of the best and brightest and most talented architects in Jacksonville, Florida and Little Rock, Arkansas. I’ve watched and I’ve learned and I’ve asked questions. I haven’t wasted my time nor have I wasted the expertise and wealth of knowledge that has surrounded me for a decade. And what I see is a profession in desperate need of an overhaul. Not just a “repositioning” but a fundamental change to thinking about professional practice in architecture. The “good ole days” are gone. I don’t believe we will see a return of a time like the early 2000s where money flowed out of banks like milk and honey and everyone got fat and happy with too much work and firms grew to sizes in the hundreds of employees. There has been a shift in my generation. We have seen what huge overhead costs and fat office spaces can do to the profession. Hell, most of us have worked in those offices and seen them crumble.

I don’t want that. I don’t want to build a practice that can’t take on small projects because they aren’t profitable enough. I don’t want to build a practice that can’t adapt to an ever changing economic and social climate. I don’t want to be the only guy steering the ship either.

So what’s the answer? What does an architectural practice in the 21st century look like? Small. Agile. Collaborative. Focused on the clients. Focused on building communities.

r | one studio architecture will be a firm dedicated to reaching out to other architects, not in competition, but in collaboration to build a community of architects of like mind that can come together on specific projects to offer a broader and more experienced team of professionals to better serve our clients across markets and regions to provide superior service and design to shape the future of our cities.

And in this I’m looking for architects interested and of like mind to start building those partnerships. Not just in Arkansas but all over the United States. Contact me and let’s see how we can work to build a better world.

to be, or not to be an architect. that is the question.

“life is a tale told by an idiot. full of sound and fury, signifying nothing.” – Hamlet

Recently I was out at a local social event of young professionals. We were sitting around drinking wine and just chatting away. I was trying to ignore the fact that I was the oldest person in the room by more than a few years, when I discovered another intern architect at the table. We chatted for a few minutes and I began asking about her tests and how far along she was in IDP. The answer I got was not necessarily typical, but it was common. She is in the middle of IDP, took one test and failed and questions whether or not to continue testing to get licensed.

This comes on the heals of NCARB announcing not only their latest version of the ARE which will launch in 2015, but also an announcement regarding proposed changes to the IDP process. You can read my thoughts on that here.

The question I found asking myself at the time was – What do I tell this person? What do I say to try and convince them that their education wasn’t a waste and that it is worth it to stay the course and keep pushing forward to their license? At the time I was struggling to find an answer. I had not quite finished my own exams, and though determined and focused it was still difficult for me to come up with much in the way of positive reinforcement for this young intern.

The simple truth is Architecture is not an easy profession and there are many challenges, especially at the beginning of your career. And I think that is for good reason. In order to stick it out in this business you have to have your own internal desire, determination and passion to stick with it. You have to be your own cheerleader, because there really isn’t anything that anyone else can say to you that is going to be convincing enough to keep you motivated.

So what do I say to young interns now who wonder “is this for me?” I simply say “that is something you need to figure out on your own.” Architecture isn’t easy and in my experience is one of the few professions where there really seems to be no turning back once you set your mind to move forward. I spent 10 years chasing after my license. 10 years practicing under other architects with 20+ years experience on me, learning everything I could about design, detailing, contracts, client relations, everything I could soak up, preparing for when I could finally call myself an Architect. Once you set your mind on that goal there is no turning back. Be your own cheerleader and get it done.

sole architecture practice – looking forward

Lee Calisti and Keith Palma have both come out with their top 10 reasons being a sole practitioner rocks. Keith even one-upped this by posting his top 10 reasons being a sole practitioner kinda sucks. I’d like to do a little bate and switch and turn his negatives into positives with my:

Top 10 reasons I’m looking forward to being a sole practitioner:

1. Lunch and Learns
Not only do I get to choose the products and materials covered (no more roof flashing presentations thank you) but I get to call up my fellow architect peers and set up group presentations on topics that actually matter to my practice.

2. No big firm resources
Big firm resources don’t apply to small firms. The books, magazines and other resources that apply to my business are either free (most trade magazines) and online (issuu.com) or are specific enough that I’m willing to go out and spend $60 on a book that won’t just sit on my shelf and collect dust. Small firms and sole practitioners actually use resources that are in their libraries.

3. No one to bounce ideas off of
See item #1. It’s time we stopped perpetuating the idea that we sole proprietors are in competition with each other and instead foster relationships with one another in order to share resources and even collaborate on projects to share workloads. I’m already starting this locally.

4. I wear every hat
In my office I control the quality of the work that is going out the door. I am the intern and the modeler and the receptionist and the office manager and the architect. My success and my failure is entirely up to me.

5. I have to buy trace, scales and sharpies
This simply means that I don’t have to go hunting for that ONE roll of white trace among the thousands of yellow and sepia rolls that no one wants to use. Why? Because I don’t buy the yellow or sepia rolls. My scales don’t walk off to another desk so I don’t lose the scales that I’ve had since college.

6. No intern.
I’m not ready to train an intern. I’m definitely not nearly patient enough yet. This is DEFINITELY a good thing. At least for now.

7. No friday morning breakfast delivery
But I can get together with my other architect buddies at a local breakfast dive and shoot the proverbial s**t. See item #3.

8. No annual holiday party
But I can take holiday vacations whenever I want and for however long I want. Especially if I have a laptop as I can just take work with me and my vacation suddenly turns in to billable hours and a tax write off. SCORE!

9. Firm retreats are lonely
Unless your firm retreat is a week long camping trip with your family in the mountains of Arkansas. See item #9

10. No room for advancement within the firm
You’re already in the top spot. How much more awesome do you need to be?

So, there you have it. Got lemons? Make lemonade. Boom baby! 🙂

NCARB Tom-foolery – a manifesto

On May 30th NCARB issued a press release outlining a desire on their part to develop and implement a program that would allow architectural licensure commensurate with graduation for college students in the US. You can read the press release on the NCARB website as well as a little blurb on Archinect.

I’m not sure there are words strong enough in the English, or any other, language to adequately describe just how horrible of an idea I think this is. And I am sure that there are more than a few of my colleagues out there that would agree when I say that architectural education is woefully behind the curve in preparing young graduates for professional practice, let alone being fully licensed upon donning cap and gown! And this is because there are three essential components required for practice as an architect and two of them you simply do not and can not get in college: Experience and Mentorship

The typical architectural academia focuses on theory and history and the art of craft, not on professional practice or budgets or detailing or contracts or….you know…GRAVITY. And I can say all of this because I’m not so far removed from my college years that I still have a clear picture in my mind as to just how clueless and unprepared I was when I entered the Labyrinth that is Professional Practice. And the only way to learn the difference between your architectural rear-end and the proverbial hole in the ground is through experience and preferably under the guidance of a mentor – An architect who will guide you and push you in the many different directions of practice that you will never learn in school.

How can NCARB, in their infinite wisdom, completely disregard these two FUNDAMENTAL components of the architectural education leading to licensure? What is going to happen to these young architects when they graduate from college fully licensed and run straight out into the world and begin their own practice? How is this in any way in the interest of the profession? Just having more licensed architects does not help the profession. Having QUALITY architects who have dedicated themselves to a process of study and practice and have learned from and been guided by their peers into a more full knowledge and understanding of the built environment and construction – THAT is what helps the profession.

Why isn’t NCARB instead coming out and requiring more strict rules regarding mentorship and IDP experience? Why isn’t NCARB working with the AIA and the College of Fellows to encourage more interaction, collaboration and mentorship between the older and newer generations of architects and interns? Why isn’t NCARB working on ANYTHING OTHER THAN THIS as a way to improve and enliven the profession?

Now, I’m the first to admit – I bitched and moaned and ground and grumbled for nearly 10 years about the A.R.E. and NCARB and IDP, etc. And it’s not a perfect system, nothing ever will be. But at least there is a set of rigors in place that requires a level of dedication that you have to have in order to survive in this profession. An architect hasn’t just passed some tests and gotten a certificate in his/her morning box of wheaties. An architect has endured the process of education, endured internships of long hours, late nights and little pay hammering out toilet partition schedules and roof details and stair sections and handrail details (oh the HORROR), they’ve carefully logged their hours and begged, pleaded and bribed there way into client meetings and onto job sites and coordination meetings to gain the experience they need to finally take a set of exams that will test their sanity before finally FINALLY becoming a licensed architect. And through all of this, their education did not stop.

The path to an architects license is long and it’s difficult and many give up, unwilling to keep pushing forward. Those are the one who shouldn’t be architects. Because we are responsible for the Health, Safety and Welfare of the public. We build communities, we build cities, we build the world we live in. It should be no less than the most difficult, frustrating and maddening thing we ever do in our lives because what we do is important and should be reserved only for the most dedicated men and women.